The Story
Beth Hartâs latest album, Fire On The Floor, is a new studio album sure to build on her breakneck momentum. As the singer explains, this latest record gave her an emotional release following the bitter-sweet sessions for Better Than Home. If thereâs a theme that ties these twelve songs together, itâs a sense of escapism following the hardest of times. âWe were still in the mixing stages for that album and I knew I had to make another record. Making Better Than Home was so painful, because one of the producers, Michael Stevens, was dying of cancer. It was a very emotional record to write and to make. I wanted the songs for Fire On The Floor to get born real quick.â
Bethâs first call was to the acclaimed producer Oliver Leiber, who called a session at his home studio in Toluca Lake and drafted a crack studio band that included Michael Landau (guitar), Waddy Wachtel (guitar), Brian Allen (bass), Rick Marotta (drums), Jim Cox (piano), Dean Parks (acoustic guitar) and Ivan Neville (B3 and organ). âOliver rounded up some amazing musicians,â nods Beth. âMichael Landau and Waddy Wachtel are legends, so when I found out we had them, I just couldnât believe it. If you donât have great musicians, youâre not gonna have a very good record, are you?
These twelve new songs run the gamut of genre, reflecting Bethâs eclectic teenage influences, which took in everything from gospel, soul and classical to the seismic rock of Soundgarden. âAs a writer,â she nods, âI feel really stifled if Iâm trying to write in the same style. I just canât do that. Growing up as a kid, I was raised all over the place stylistically, loving so many different genres.â
As such, youâll find everything from the spring-heeled soul of Letâs Get Together to the brittle rock of Fat Man. âI love that song,â she says of the latter. âThatâs actually a co-write with a wonderful songwriter named Glen Burtnik, who I started writing with when I was about 24. We wrote that seven years ago - just a basic skeleton - but then I got super-inspired and wrote out the lyric. It feels good to sing it. Thatâs whatâs so great about rock ânâ roll. Itâs just such a fantastic way to let out your angst.â
Likewise, the title track: âI love Fire On The Floor. Itâs just smoldering. I think itâs gonna be a fantastic piece to perform live. Itâs filled with passion. Itâs about when someone you know is so bad for you, but you canât help it. Then thereâs No Place Like Home. I love that song. Itâs about how, like, you spend a lot of time on the road, and you start to realize all the great things about being home. Kinda the opposite to the song Better Than Home.â
Other upbeat highlights include the salsa-tinged Baby Shot Me Down and the jazz-inflected Coca Cola, with a vocal that reminds you why Beth was recently voted as the 20th best blues singer of all-time in The Blues. âVocally, that one takes me back to a Billie Holiday kinda singing,â she reflects. âI love that kind of vibe, like a light, fun sexiness.âxxxBy contrast, there are some songs that Beth had to wrench from the emotional depths. âPicture In A Frame is a big one for me,â she says. âWhen I started writing it, I was thinking about being in love with my husband. But when I was done, I could see that I really connected it with Michael Stevens, and it was my way of saying to him, yâknow, âI just want you to be betterâ.""
Despite all the emotionally bare moments, for Beth, this record represents a catharsis. âI think Better Than Home is one of the best records Iâve ever done,â she says, âbut it was a brutal experience. Fire On The Floor has more energy and I think, overall, itâs just got more balls. And I think I really needed that, just to balance out that heavier mood on Better Than Home.â
Fire On The Floor is the album that Beth Hart needed to make. Likewise, itâs a record that you need to hear. âIâm so pleased with it,â she concludes. âI recently had to organize the sequence of the record, and while I was doing that, I was thinking to myself, âYâknow, this is pretty frickinâ good...!ââ
Description
Beth Hartâs latest album, Fire On The Floor, is a new studio album sure to build on her breakneck momentum. As the singer explains, this latest record gave her an emotional release following the bitter-sweet sessions for Better Than Home. If thereâs a theme that ties these twelve songs together, itâs a sense of escapism following the hardest of times. âWe were still in the mixing stages for that album and I knew I had to make another record. Making Better Than Home was so painful, because one of the producers, Michael Stevens, was dying of cancer. It was a very emotional record to write and to make. I wanted the songs for Fire On The Floor to get born real quick.â
Bethâs first call was to the acclaimed producer Oliver Leiber, who called a session at his home studio in Toluca Lake and drafted a crack studio band that included Michael Landau (guitar), Waddy Wachtel (guitar), Brian Allen (bass), Rick Marotta (drums), Jim Cox (piano), Dean Parks (acoustic guitar) and Ivan Neville (B3 and organ). âOliver rounded up some amazing musicians,â nods Beth. âMichael Landau and Waddy Wachtel are legends, so when I found out we had them, I just couldnât believe it. If you donât have great musicians, youâre not gonna have a very good record, are you?
These twelve new songs run the gamut of genre, reflecting Bethâs eclectic teenage influences, which took in everything from gospel, soul and classical to the seismic rock of Soundgarden. âAs a writer,â she nods, âI feel really stifled if Iâm trying to write in the same style. I just canât do that. Growing up as a kid, I was raised all over the place stylistically, loving so many different genres.â
As such, youâll find everything from the spring-heeled soul of Letâs Get Together to the brittle rock of Fat Man. âI love that song,â she says of the latter. âThatâs actually a co-write with a wonderful songwriter named Glen Burtnik, who I started writing with when I was about 24. We wrote that seven years ago - just a basic skeleton - but then I got super-inspired and wrote out the lyric. It feels good to sing it. Thatâs whatâs so great about rock ânâ roll. Itâs just such a fantastic way to let out your angst.â
Likewise, the title track: âI love Fire On The Floor. Itâs just smoldering. I think itâs gonna be a fantastic piece to perform live. Itâs filled with passion. Itâs about when someone you know is so bad for you, but you canât help it. Then thereâs No Place Like Home. I love that song. Itâs about how, like, you spend a lot of time on the road, and you start to realize all the great things about being home. Kinda the opposite to the song Better Than Home.â
Other upbeat highlights include the salsa-tinged Baby Shot Me Down and the jazz-inflected Coca Cola, with a vocal that reminds you why Beth was recently voted as the 20th best blues singer of all-time in The Blues. âVocally, that one takes me back to a Billie Holiday kinda singing,â she reflects. âI love that kind of vibe, like a light, fun sexiness.âxxxBy contrast, there are some songs that Beth had to wrench from the emotional depths. âPicture In A Frame is a big one for me,â she says. âWhen I started writing it, I was thinking about being in love with my husband. But when I was done, I could see that I really connected it with Michael Stevens, and it was my way of saying to him, yâknow, âI just want you to be betterâ.""
Despite all the emotionally bare moments, for Beth, this record represents a catharsis. âI think Better Than Home is one of the best records Iâve ever done,â she says, âbut it was a brutal experience. Fire On The Floor has more energy and I think, overall, itâs just got more balls. And I think I really needed that, just to balance out that heavier mood on Better Than Home.â
Fire On The Floor is the album that Beth Hart needed to make. Likewise, itâs a record that you need to hear. âIâm so pleased with it,â she concludes. âI recently had to organize the sequence of the record, and while I was doing that, I was thinking to myself, âYâknow, this is pretty frickinâ good...!ââ












