The Story
A Newbury Comics exclusive color vinyl pressing. Vinyl ships with an autographed postcard.
When Boston alt-rock band Letters To Cleo split after 10 years, 3 albums, and thousands of tour miles together, it was at the behest of a pact that singer Kay Hanley and guitarist Greg McKenna made with each other when they started the band in 1990. âWe said that weâd stop doing it when we werenât having fun anymore.â says Hanley. âI had just had a baby, (lead guitarist) Michael Eisenstein and (drummer) Stacy Jones were recording and touring with Veruca Saltâs Nina Gordon, (bassist) Scott Riebling was crazy in demand as a record producer, and I know it was frustrating to Greg to be in the shitty position of doing all the work to try and keep the ball rolling. It felt hard all of a sudden, and I hated that feeling.â
Now, for the first time in 17 years, Hanley, Eisenstein, Jones, and McKenna have written and recorded five brand new songs for this EP.
All 5 songs are instantly recognizable Cleo concoctions that fans will devour. From Eisensteinâs fierce, angular guitars locking horns with Jonesâ roaring locomotive rhythm on âHitch A Rideâ to McKenna and Hanleyâs signature melodic ESP on âGood Right Hereâ, the Cleo bandmates are in prizefighter form.
Staying true to the chemistry that defined their muscular pop sound throughout the 90âs was key to Cleoâs new venture. âIt feels completely unforced. It sounds like classic Cleo. But at the same time, thereâs nothing nostalgic about it.â, says Jones.
In addition to playing guitar, bass, and keys on The EP, Eisenstein also handled the lionâs share of production at Death Star Studio in the Koreatown section of LA, where he and Jones are current and former partners, respectively.
According to Hanley, the opportunity to re-unite with her former band and make new music came almost from out of nowhere. âI didnât have time to think up reasons to say no, so I just said yes. We didnât have a plan. We just jumped in and everything unfolded really quickly. We all love the new songs and canât wait to start playing them. Itâs really fun!â
Album includes a digital download.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Description
A Newbury Comics exclusive color vinyl pressing. Vinyl ships with an autographed postcard.
When Boston alt-rock band Letters To Cleo split after 10 years, 3 albums, and thousands of tour miles together, it was at the behest of a pact that singer Kay Hanley and guitarist Greg McKenna made with each other when they started the band in 1990. âWe said that weâd stop doing it when we werenât having fun anymore.â says Hanley. âI had just had a baby, (lead guitarist) Michael Eisenstein and (drummer) Stacy Jones were recording and touring with Veruca Saltâs Nina Gordon, (bassist) Scott Riebling was crazy in demand as a record producer, and I know it was frustrating to Greg to be in the shitty position of doing all the work to try and keep the ball rolling. It felt hard all of a sudden, and I hated that feeling.â
Now, for the first time in 17 years, Hanley, Eisenstein, Jones, and McKenna have written and recorded five brand new songs for this EP.
All 5 songs are instantly recognizable Cleo concoctions that fans will devour. From Eisensteinâs fierce, angular guitars locking horns with Jonesâ roaring locomotive rhythm on âHitch A Rideâ to McKenna and Hanleyâs signature melodic ESP on âGood Right Hereâ, the Cleo bandmates are in prizefighter form.
Staying true to the chemistry that defined their muscular pop sound throughout the 90âs was key to Cleoâs new venture. âIt feels completely unforced. It sounds like classic Cleo. But at the same time, thereâs nothing nostalgic about it.â, says Jones.
In addition to playing guitar, bass, and keys on The EP, Eisenstein also handled the lionâs share of production at Death Star Studio in the Koreatown section of LA, where he and Jones are current and former partners, respectively.
According to Hanley, the opportunity to re-unite with her former band and make new music came almost from out of nowhere. âI didnât have time to think up reasons to say no, so I just said yes. We didnât have a plan. We just jumped in and everything unfolded really quickly. We all love the new songs and canât wait to start playing them. Itâs really fun!â
Album includes a digital download.
























