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Original: $9.99
-65%I Need To Shine LPâ
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$3.50The Story
In the summer of 1970, Linda Hoover, then 19, entered Manhattanâs Advantage Sound Studio to cut her first album with Gary Katz, Walter Becker and Donald Fagen leading a team that also included guitarists (and future Steely Dan members) Denny Dias & Jeff âSkunkâ Baxter, and Eric Weissberg, saxophonist Jerome Richardson, plus members of the Dick Cavett Orchestra. I Mean To Shine includes three original compositions by Linda alongside The Bandâs âIn A Stationâ (from Music From Big Pink) and Stephen Stillsâ â4+20â (which appeared on CSN&Yâs DĂ©jĂ Vu). Almost half of the album was penned by the pre-Steely Dan songwriting duo of Becker and Fagen, including what would become the albumâs title track. After creating a wonderful record, album cover photos were taken and then it all fell apart. The release was shelved over a business disagreement and if that wasnât heartbreaking enough, Hoover learned that Barbra Streisand also recorded âI Mean To Shineâ (which would appear on her album Barbra Joan Streisand). Streisandâs album hit #11 and went gold. For the production team of Katz, Becker, and Fagen one success built on another and they were hired to staff positions at ABC-Dunhill Records in Los Angeles. Hoover continued to pursue musical opportunities in New York, but with her creative team gone and no record release to show for their collective efforts, she wound up returning to her parentsâ house in Florida. However, she did take a tape copy of her album home with her. Now, with the blessing from Hoover and original producer Katz, the previously unissued album, I Mean To Shine finally sees the light of day and even features the proposed 1970 cover shot by Joel Brodsky (whose work at that time had already graced the covers of releases from The Doors, Van Morrison, The Stooges, and more). The album has been produced for release by Linda, Jay Willingham, and GrammyÂź-winner Cheryl Pawelski with audio restoration and mastering by GrammyÂź-winning engineer Michael Graves. Scott Schinderâs liner notes are informed by new interviews with Hoover and Katz.
Description
In the summer of 1970, Linda Hoover, then 19, entered Manhattanâs Advantage Sound Studio to cut her first album with Gary Katz, Walter Becker and Donald Fagen leading a team that also included guitarists (and future Steely Dan members) Denny Dias & Jeff âSkunkâ Baxter, and Eric Weissberg, saxophonist Jerome Richardson, plus members of the Dick Cavett Orchestra. I Mean To Shine includes three original compositions by Linda alongside The Bandâs âIn A Stationâ (from Music From Big Pink) and Stephen Stillsâ â4+20â (which appeared on CSN&Yâs DĂ©jĂ Vu). Almost half of the album was penned by the pre-Steely Dan songwriting duo of Becker and Fagen, including what would become the albumâs title track. After creating a wonderful record, album cover photos were taken and then it all fell apart. The release was shelved over a business disagreement and if that wasnât heartbreaking enough, Hoover learned that Barbra Streisand also recorded âI Mean To Shineâ (which would appear on her album Barbra Joan Streisand). Streisandâs album hit #11 and went gold. For the production team of Katz, Becker, and Fagen one success built on another and they were hired to staff positions at ABC-Dunhill Records in Los Angeles. Hoover continued to pursue musical opportunities in New York, but with her creative team gone and no record release to show for their collective efforts, she wound up returning to her parentsâ house in Florida. However, she did take a tape copy of her album home with her. Now, with the blessing from Hoover and original producer Katz, the previously unissued album, I Mean To Shine finally sees the light of day and even features the proposed 1970 cover shot by Joel Brodsky (whose work at that time had already graced the covers of releases from The Doors, Van Morrison, The Stooges, and more). The album has been produced for release by Linda, Jay Willingham, and GrammyÂź-winner Cheryl Pawelski with audio restoration and mastering by GrammyÂź-winning engineer Michael Graves. Scott Schinderâs liner notes are informed by new interviews with Hoover and Katz.













