The Story
Grammy Award winner Ray LaMontagne is set to release his sixth studio album Ouroboros, produced by Ray and Jim James of My Morning Jacket.
Ouroboros, which allusively recounts not simply a journey but a personal odyssey as experienced from the inside out, is a wildly evocative work as atmospheric and changeable as a summer thunderstorm enveloping the countryside of Western Massachusetts, where LaMontagne lives with his wife and two young sons, far from the madding crowd. These details are relevant, because this is the introspective artistâs most deeply personal album, and thatâs saying something, given the sustained degree of intimacy of his body of work.
Ouroboros opens with âHomecoming,â in which the protagonist is called upon to rouse himself from the tranquility of his surroundings and pull away from the place where he wants to be the most. It proceeds with the agitated inner dialogue of âHey, No Pressureâ (the designated single), the tension ratcheting up with the turbulent âChanging Manâ/âWhile It Still Beats,â which climaxes with an electrifying extended instrumental section, taking the listener to the end of Part One of the tale.
Part Two, which opens with âIn My Own Way,â as the weary traveler returns home (âLock the door. / Draw the shade,â it begins. âClose my eyes. / Iâm miles away.â) is a seamless reverie, awash in sensory detail, as he grounds himself and revels in the beauty of his surroundings in the company of those he loves most. âSpring is here, then spring is past,â he sings in a near-whisper. âThe sounds of summer settle in, / A snake slips through the grass.â These intimations of the metaphysical in the natural world, echoing Blake and Wordsworth, Thoreau and Whitman, play out within the albumâs thematic centerpiece, âAnother Day.â Itâs followed by the idyllic instrumental âA Murmuration of Starlings,â setting up the final section, an aural daydream that turns on the couplet, âWhen Iâm with you / I am right where I belong,â and concludes, playfully yet resonantly, âYouâre never gonna hear this song on the radio, but wouldnât it make a lovely photograph?â
âIâm always trying to be in the here and now and center myself and realize the truth of existence,â LaMontagne reflects. âThis is such a brief moment, and everything we know as human beings is constantly changingâliving, dying, being born again. Weâre just a blip, a moment. Iâm not religious, but I believe weâre just part of some greater spiritual force. Weâre so fortunate as human beings to be able to see it and try to express it. Whatever kind of art youâre making, whether youâre a painter or a dancer, a writer or a filmmaker, all of us are just trying to figure it out for just a second, and thenâŠwho knows?â
The artist contemplates the unknowable. And the world keeps spinning through space. And the circle is unbroken.
Description
Grammy Award winner Ray LaMontagne is set to release his sixth studio album Ouroboros, produced by Ray and Jim James of My Morning Jacket.
Ouroboros, which allusively recounts not simply a journey but a personal odyssey as experienced from the inside out, is a wildly evocative work as atmospheric and changeable as a summer thunderstorm enveloping the countryside of Western Massachusetts, where LaMontagne lives with his wife and two young sons, far from the madding crowd. These details are relevant, because this is the introspective artistâs most deeply personal album, and thatâs saying something, given the sustained degree of intimacy of his body of work.
Ouroboros opens with âHomecoming,â in which the protagonist is called upon to rouse himself from the tranquility of his surroundings and pull away from the place where he wants to be the most. It proceeds with the agitated inner dialogue of âHey, No Pressureâ (the designated single), the tension ratcheting up with the turbulent âChanging Manâ/âWhile It Still Beats,â which climaxes with an electrifying extended instrumental section, taking the listener to the end of Part One of the tale.
Part Two, which opens with âIn My Own Way,â as the weary traveler returns home (âLock the door. / Draw the shade,â it begins. âClose my eyes. / Iâm miles away.â) is a seamless reverie, awash in sensory detail, as he grounds himself and revels in the beauty of his surroundings in the company of those he loves most. âSpring is here, then spring is past,â he sings in a near-whisper. âThe sounds of summer settle in, / A snake slips through the grass.â These intimations of the metaphysical in the natural world, echoing Blake and Wordsworth, Thoreau and Whitman, play out within the albumâs thematic centerpiece, âAnother Day.â Itâs followed by the idyllic instrumental âA Murmuration of Starlings,â setting up the final section, an aural daydream that turns on the couplet, âWhen Iâm with you / I am right where I belong,â and concludes, playfully yet resonantly, âYouâre never gonna hear this song on the radio, but wouldnât it make a lovely photograph?â
âIâm always trying to be in the here and now and center myself and realize the truth of existence,â LaMontagne reflects. âThis is such a brief moment, and everything we know as human beings is constantly changingâliving, dying, being born again. Weâre just a blip, a moment. Iâm not religious, but I believe weâre just part of some greater spiritual force. Weâre so fortunate as human beings to be able to see it and try to express it. Whatever kind of art youâre making, whether youâre a painter or a dancer, a writer or a filmmaker, all of us are just trying to figure it out for just a second, and thenâŠwho knows?â
The artist contemplates the unknowable. And the world keeps spinning through space. And the circle is unbroken.












