The Story
Purchase includes CD booklet signed by the band.
After two UK #1 albums, 2 million album sales and an array of international acclaim, you mightâve thought you knew what to expect from Royal Blood. Those preconceptions were shattered when they released âTroubleâs Comingâ last summer. Hitting a melting pot of fiery rock riffs and danceable beats, they delivered something fresh, unexpected and yet entirely in tune with what theyâd forged their reputation with. When Mike Kerr and Ben Thatcher sat down to talk about making a new album, they knew what they wanted to achieve. It involved a conscious return to their roots, back when they had made music that was influenced by Daft Punk, Justice, and Philippe Zdar of Cassius. It also called for a similar back-to-basics approach to what had made their self-titled debut album so thrilling, visceral and original. Those traits pulsate throughout the new single and title track. Kerrâs spiralling bass riff casts an hypnotic allure as it grows in intensity, while his vocals switch at will between a raw rock roar and a soulful falsetto. Itâs underpinned by Thatcherâs thundering beats, his taut rhythms infused with groove-laden hi-hats. After setting the tone with âTroubleâs Comingâ, the album opens in breathless, take-no-prisoners style with the fierce metallic grooves of âWho Needs Friendsâ hitting an early visceral peak. Royal Blood further reference their fresh array of influences by deploying vocodered vocals on âMillion & Oneâ before dynamically switching between the biggest contrasts of their sound with âLimboâ. Already a fan favourite having been a regular during the duoâs 2019 shows, âBoilermakerâ lives up to its reputation and is more than matched by âMad Visionsâ, which evokes a hyper-aggressive Prince. It ends with a final surprise in the shape of the stark piano ballad âAll We Have Is Nowâ, a vulnerable and revealing reminder to live in the moment. This new approach manifested itself in the duoâs decision to produce the majority of âTyphoonsâ themselves. âBoilermakerâ was produced by Queens of the Stone Age frontman Josh Homme, the two bands having first connected when Royal Blood supported them on a huge North American tour. Meanwhile, the multiple Grammy Award winner Paul Epworth produced âWho Needs Friendsâ and contributed additional production to âTroubleâs Comingâ.
Description
Purchase includes CD booklet signed by the band.
After two UK #1 albums, 2 million album sales and an array of international acclaim, you mightâve thought you knew what to expect from Royal Blood. Those preconceptions were shattered when they released âTroubleâs Comingâ last summer. Hitting a melting pot of fiery rock riffs and danceable beats, they delivered something fresh, unexpected and yet entirely in tune with what theyâd forged their reputation with. When Mike Kerr and Ben Thatcher sat down to talk about making a new album, they knew what they wanted to achieve. It involved a conscious return to their roots, back when they had made music that was influenced by Daft Punk, Justice, and Philippe Zdar of Cassius. It also called for a similar back-to-basics approach to what had made their self-titled debut album so thrilling, visceral and original. Those traits pulsate throughout the new single and title track. Kerrâs spiralling bass riff casts an hypnotic allure as it grows in intensity, while his vocals switch at will between a raw rock roar and a soulful falsetto. Itâs underpinned by Thatcherâs thundering beats, his taut rhythms infused with groove-laden hi-hats. After setting the tone with âTroubleâs Comingâ, the album opens in breathless, take-no-prisoners style with the fierce metallic grooves of âWho Needs Friendsâ hitting an early visceral peak. Royal Blood further reference their fresh array of influences by deploying vocodered vocals on âMillion & Oneâ before dynamically switching between the biggest contrasts of their sound with âLimboâ. Already a fan favourite having been a regular during the duoâs 2019 shows, âBoilermakerâ lives up to its reputation and is more than matched by âMad Visionsâ, which evokes a hyper-aggressive Prince. It ends with a final surprise in the shape of the stark piano ballad âAll We Have Is Nowâ, a vulnerable and revealing reminder to live in the moment. This new approach manifested itself in the duoâs decision to produce the majority of âTyphoonsâ themselves. âBoilermakerâ was produced by Queens of the Stone Age frontman Josh Homme, the two bands having first connected when Royal Blood supported them on a huge North American tour. Meanwhile, the multiple Grammy Award winner Paul Epworth produced âWho Needs Friendsâ and contributed additional production to âTroubleâs Comingâ.
