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$2.10The Story
CDÂ digipak signed by Steve Austin.
Real Songwriting with magical instrumentation throughout the album. Thereâs a sincerity and truth in the pain and heartache captured on NO GOOD TO ANYONE that you simply donât hear in most protools constructed songs today. Pummeling and destructive, with grace and reckless precision, NO GOOD TO ANYONE tells all of its secrets to the listener. In an extremely powerful and understated way, the emotions of love and hate are cast into destruction. You realize the story youâve been living. Through the audio on this album is a tale of pushing past the pain and fighting for survival. In a world of false metal, TODAY IS THE DAY and Steve Austin stand out as groundbreaking musical innovators in a world of pretenders. Utilizing a wide vocal range of attacks, Steveâs vocals on âNo Good To Anyoneâ range anywhere from monster like percussion to hypnotic lullaby singing. All the while electric guitars come smashing down on you like building girders. The drum and bass rhythm section performs as a killing machine, but with taste and diversity in approach. One second theyâre ripping away at double kick drum onslaughts and the next minute itâs a Miles Davis rhythm interlude. Overall, this type of true real songwriting, not trying to fit in, is something that hasnât been heard since Hendrix.
Description
CDÂ digipak signed by Steve Austin.
Real Songwriting with magical instrumentation throughout the album. Thereâs a sincerity and truth in the pain and heartache captured on NO GOOD TO ANYONE that you simply donât hear in most protools constructed songs today. Pummeling and destructive, with grace and reckless precision, NO GOOD TO ANYONE tells all of its secrets to the listener. In an extremely powerful and understated way, the emotions of love and hate are cast into destruction. You realize the story youâve been living. Through the audio on this album is a tale of pushing past the pain and fighting for survival. In a world of false metal, TODAY IS THE DAY and Steve Austin stand out as groundbreaking musical innovators in a world of pretenders. Utilizing a wide vocal range of attacks, Steveâs vocals on âNo Good To Anyoneâ range anywhere from monster like percussion to hypnotic lullaby singing. All the while electric guitars come smashing down on you like building girders. The drum and bass rhythm section performs as a killing machine, but with taste and diversity in approach. One second theyâre ripping away at double kick drum onslaughts and the next minute itâs a Miles Davis rhythm interlude. Overall, this type of true real songwriting, not trying to fit in, is something that hasnât been heard since Hendrix.












