The Story
While catching Wye Oak's super sized show at The Sinclair in Cambridge, Jenn and Andy graciously signed a few copies of some of their recent albums to make available for their fans. Album is signed on the LP cover. Always a delight to see them - thanks for all the great shows over the years!
The word âtweenâ implies a certain, very specific kind of awkwardness, and those implications are rarely positive. But think about it like this: Something âtweenâ is in the process of becoming something else, and thereâs a very specific kind of beauty in that becoming. Thereâs something rewarding in recognizing and celebrating itâin meeting it halfway.
Jenn Wasner and Andy Stackâthe bandâs two halvesâdescribed these songs as ânot emblematic of a step forward, but a step sideways in time.â In other words, they just didnât make sense for album number fiveâwhich will happen at some point in the future. But just because they didnât belong there doesnât mean they donât belong anywhere. To wedge them onto Shriek wouldâve been dishonest; to orphan them wouldâve been somewhere on the line between criminal and just plain silly.
Tween is full of gorgeous Wye Oak songs whose only crime was timing and context, made by two people at the height of their game. One minute Jenn and Andy are embracing their floatiest Cocteau Twins instinct (âIf You Should Seeâ), the next theyâre back in Civilian territory a bit (âNo Dreamingâ), and later theyâre slinky and electronic and gorgeously â80s (âOn Luxuryâ).
The common thread: These are no castaways or cutouts. In fact, pound for pound, Tween might actually be more directly accessible than Shriek. It should join the pantheon of amazing not-albums of history whose names try to downplay how good they actually are, like R.E.M.âs Dead Letter Office, The Whoâs Odds and Sods, maybe even Dinosaur Jr.âs Whateverâs Cool With Me.
Description
While catching Wye Oak's super sized show at The Sinclair in Cambridge, Jenn and Andy graciously signed a few copies of some of their recent albums to make available for their fans. Album is signed on the LP cover. Always a delight to see them - thanks for all the great shows over the years!
The word âtweenâ implies a certain, very specific kind of awkwardness, and those implications are rarely positive. But think about it like this: Something âtweenâ is in the process of becoming something else, and thereâs a very specific kind of beauty in that becoming. Thereâs something rewarding in recognizing and celebrating itâin meeting it halfway.
Jenn Wasner and Andy Stackâthe bandâs two halvesâdescribed these songs as ânot emblematic of a step forward, but a step sideways in time.â In other words, they just didnât make sense for album number fiveâwhich will happen at some point in the future. But just because they didnât belong there doesnât mean they donât belong anywhere. To wedge them onto Shriek wouldâve been dishonest; to orphan them wouldâve been somewhere on the line between criminal and just plain silly.
Tween is full of gorgeous Wye Oak songs whose only crime was timing and context, made by two people at the height of their game. One minute Jenn and Andy are embracing their floatiest Cocteau Twins instinct (âIf You Should Seeâ), the next theyâre back in Civilian territory a bit (âNo Dreamingâ), and later theyâre slinky and electronic and gorgeously â80s (âOn Luxuryâ).
The common thread: These are no castaways or cutouts. In fact, pound for pound, Tween might actually be more directly accessible than Shriek. It should join the pantheon of amazing not-albums of history whose names try to downplay how good they actually are, like R.E.M.âs Dead Letter Office, The Whoâs Odds and Sods, maybe even Dinosaur Jr.âs Whateverâs Cool With Me.












